64 pages 2 hours read

Wally Lamb

She's Come Undone

Fiction | Novel | Adult | Published in 1992

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Background

Cultural Context: Weight Stigma and Sizeism and Their Effects on Mental Health

Content Warning: This section contains descriptions of child sexual abuse, domestic violence, suicidal ideation, sizeism, and self-harm. The source material also contains sizeist slurs, which are reproduced in this guide only in quotations. 

She’s Come Undone chronicles the life of Dolores Price as she experiences significant trauma during childhood and attempts to heal. Throughout much of the book, Dolores is overweight and experiences stigma regarding her size, which she internalizes, resulting in self-hatred as well as suicidal ideation and self-harm.

Weight stigma and sizeism—discrimination or bias based upon this stigma—like that Dolores experiences remain prevalent. According to psychologist Rebecca Puhl, “Sizeism is one of the most deeply entrenched stigmas in today’s society, partly because of sociocultural ideals tying thinness to core American values such as hard work and individualism” (Abrams, Zara, “The Burden of Weight Stigma,” Monitor on Psychology, vol. 53, no. 2, 2022). Numerous studies highlight the effects of weight stigma, which negatively impacts both physical health outcomes and mental health. For instance, researchers found in a 2021 study that people who experience weight stigma are more likely to engage in several behaviors that negatively impact health, including disordered eating and excessive alcohol use, and they are also more likely to experience sleep disturbances (Lee, Kristen M., Hunger, Jeffery M. & Tomiyama, A. Janet, “Weight Stigma and Health Behaviors: Evidence from the Eating in America Study,” International Journal of Obesity, vol. 45, pp. 1499-1509, 2021). In the novel, Dolores often turns to large volumes of food, such as an entire beef roast, to self-soothe during periods of stress or low self-esteem.

Another researcher, Jeffery Hunger, found in 2016 that the impacts of being judged based on weight are so significant that anxiety related to weight stigma starts before someone even experiences it. In Hunger’s study, participants who believed their weights would be listed on (fictional) online dating profiles experienced anticipatory anxiety that they might be judged or stigmatized based on their size (Abrams). The novel depicts a similar situation when Dolores creates a fake persona to mislead her future college roommate, Kippy, believing she won’t be accepted as her real self.

The novel’s portrayal of body image issues and the mental health concerns related to them is, for the most part, sensitive, particularly for the time in which it was written: Beauty standards of the 1990s reflected a particular emphasis on thin bodies for women and a new rise in dieting culture. However, because Dolores is writing from her own (biased) perspective, she at times refers to herself in a harsh, degrading tone that reaffirms the stereotypes people place upon her, such as when she refers to herself as a “fat monster face” (237). Further, because Dolores experiences both internalized and external shame due her weight, and because losing weight becomes such a major part of her transformation and healing process, the portrayal of her weight and relationship to it can be interpreted as contributing to negative stereotypes of people who are overweight. Contemporary movements, such as the body positivity and fat acceptance movements, encourage people to love and accept themselves and engage in healthy activities at any size, pushing back at the notion that weight loss is a prerequisite for health or happiness. At the same time, Wally Lamb portrays Dolores’s weight loss as something that happens naturally as she heals her specific traumas, which resolves her disordered patterns of eating and results in a healthier outlook on life.

Sociohistorical Context: 1950s-1980s United States

She’s Come Undone takes place between the 1950s and 1980s in the New England region of the United States. Dolores’s upbringing is influenced by major changes and pop culture touchstones of the time, including the introduction of television into family homes, the rise of the Beatles, the life and death of Marilyn Monroe, the moon landing, Woodstock, and the Cambodian genocide. The introduction of the television is something that Dolores notes changed her entire life, and she spent her youth attached to the television like it was a limb. These cultural moments contribute to the novel’s setting.

Dolores, her mother, and her grandmother are also examples of the societal expectations placed on women during this era, particularly that they should stay home and obey their husbands. While Tony is still around, Bernice is constantly apologizing for herself, and Tony’s violence runs the home, as Bernice sees no alternative. Several men take advantage of Dolores sexually, and Dante treats her like a house maid, calling her “Home Ec” as a nickname. Dolores’s grandmother occasionally makes racist remarks and warns Dolores to stay away from people who aren’t like them, and Mr. Pucci must hide his gay relationship from the world for fear of stigmatization or worse. When Mr. Pucci and his partner both contract AIDS during the massive epidemic of the 1980s, Mr. Pucci is shamed at work, and people everywhere are treated like they should be isolated.

Despite ending in the 1980s, Dolores’s story still holds relevance as women remain disproportionately affected by domestic abuse and experience shame for not fitting into cultural expectations of what a body should look like, and homophobia and racism still leave marginalized people feeling unsafe and judged.