49 pages 1 hour read

Robert Cormier

I Am the Cheese

Fiction | Novel | YA | Published in 1977

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Chapters 7-12Chapter Summaries & Analyses

Chapter 7 Summary

Adam is still on his bike journey. At the bottom of the hill, a silent German shepherd guards an empty house. Adam feels like the dog knew he was coming, and he rides his bike directly at the dog. As the dog tries to get in front of the bike, a yellow Volkswagen speeds by and almost hits Adam. The dog runs after the Volkswagen, and Adam bikes through the bare Main Street, feeling like the dog will always be after him.

Chapter 8 Summary

In the transcript, Adam asks Brint if he’s a doctor and if they are in a hospital. Brint is evasive, and Adam admits the place doesn’t smell like a hospital—perhaps it’s a “private home” or “private sanitorium.” Adam doesn’t know, and he feels there are many things he doesn’t know. Brint wants to help him know more and returns to the “clues.” Adam hesitantly concedes that the dog might be a clue. This morning, Adam saw a dog on the grass. Brint identifies the dog as Silver—a German shepherd. Silver is good, but Adam hates dogs.

Adam’s dad was an insurance agent and had a routine life. He had glasses, a mustache, a new car every two years, and a Rotary Club membership. Mostly, Dave seemed like a normal dad but, when he discussed books, he became a deeper person.

Once, Adam and his dad were on the way to the library to check out Louis Armstrong’s “Twelfth Street Rag” (1927). Suddenly, Dave rerouted them into the woods. Adam felt like they were running away, and they ran into a monstrous dog. The dog attacked Dave, who cursed at it and fought it off with a branch.

Adam and his dad didn’t tell his mom, and this was a secret they shared. Brint asks Adam what Dave saw that made him stop and go through the woods. Adam doesn’t know what his dad saw.

Chapter 9 Summary

Adam stops at a Howard Johnson’s Hotel at Routes 99 and 119. Although he has to use the bathroom, Adam doesn’t use the bathroom at the restaurant: There are no windows, and Adam can’t tolerate windowless spaces. He orders a hamburger, but it’s like a “rock” in his stomach. He has a headache and feels discouraged, so he tries calling Amy to lift his spirits. No one answers. After using the bathroom at a nearby gas station, he continues his journey, singing “The Farmer in the Dell.”

Chapter 10 Summary

In the transcript, Adam tells Brint about Amy. They made out under the football stands, and he was in love with her. She had blue eyes, freckles, a crooked tooth, and “wonderful breasts.” She loved “mischief” and books, and they met when they collided in the library—it was a scene that could’ve been in a black-and-white romantic comedy.

Adam always felt shy and withdrawn—more like an observer than a participant—but Amy invited him to a “Number,” her name for pranks. They went to a grocery stores and filled a shopping cart before ditching it. Sometimes, Amy would only fill the cart with canned goods; other times, exclusively baby food. Amy advised Adam to “act natural” and like they “belonged there.” Later, from the parking lot, they’d watch the employees make a fuss over the cart. For a different Number, they breached a Holiday Inn and took away the “do not disturb” signs or switched them to the side that requested the hotel worker to tidy the room early.

Once, Adam went to Amy’s house and listened to her use the bathroom. When she came out, she told him that “farts” shouldn’t unsettle him—they’re a natural part of life. Another time, someone from Rawlings came to visit Amy’s dad. Amy told the visitor about Adam’s family, but the visitor didn’t know Adam’s family and he knew everyone in Rawlings. Adam lied and said he wasn’t born there: His family just lived there a little before coming to Monument. Brint calls the story of the visitor the “second landmark”—he says the “first landmark” is when Adam and his dad battled the dog in the woods.

Chapter 11 Summary

The rain soaks Adam as he bikes along Route 119. Mud splashes him and the gift for his dad is thoroughly wet. A station wagon goes by, but it doesn’t stop for Adam. He calls himself “a nut” and loudly debates going back. He keeps going, singing “The Farmer in the Dell.”

Chapter 12 Summary

In the tape, Brint believes they’ve “arrived” at the part where Adam grew suspicious, but Adam contests Brint’s belief, leaving Brint wondering if Adam is playing a game. Mostly, Adam feels panic—he lacks the capacity for games.

After the visitor from Rawlings, Adam didn’t confront his mom and dad about the truth of their past. Instead, while his mom stayed in her room and his dad mowed the lawn, he took his dad’s keys and opened the locked drawer on his dad’s desk in his basement office. He found his birth certificate giving his birthday as February 14 but then found another birth certificate giving July 14. Adam shook and shivered, but he tried to stay reasonable—maybe the Rawlings official made a mistake and got the date wrong.

Chapters 7-12 Analysis

This section contains a number of turning points and revelations as Adam’s narrative shows how his worldview and identity unravel as he learns the truth about his family. Adam becomes increasingly disillusioned in his relationship with his parents and the outside world. This is mirrored by the progression and the bike journey, which is increasingly fragmented and threatening. Adam’s connection to Amy starts to seem more precarious and he turns increasingly to “The Farmer in the Dell” song to self-comfort. As the relationship between the narratives is increasingly hinted at, the novel focuses increasingly on the transcripts, a pattern that will continue as the novel progresses.

A key moment of disillusionment is when Adam finds his two conflicting birth certificates, key to the theme of Constructing and Manipulating Identity. Identities remain fragile—reliant on mutable documents like birth certificates. A set of numbers changes—the numbers corresponding to Adam’s birth date—and those new numbers make Adam feel like two people, with Adam wondering, “Was I born twice?” (73).

The introduction of Amy in this section creates some hopeful and lighthearted material. Her Numbers represent playful deceit—not the kind of harmful, deadly deceit Adam learns about later. Through the Numbers, Adam and Amy can subvert norms and create relatively innocuous “mischief.” With the Numbers, Cormier creates a delayed juxtaposition. When the reader learns the truth behind Adam, they can compare his family’s deception to the trickery of the Numbers and discover why the latter serves as a relief for Adam. Conversely, Adam’s underlying predicament highlights the problems of the Numbers. Due to his situation, if the Numbers get Adam in trouble, the consequences may be worse for him and his family than for Amy. When Adam calls Amy in Chapter 9, however, no one answers. The absence prefigures the absence of Amy in the real world—she might only exist in his imagination.

Dogs are a recurrent feature in this section and are allied to the theme of Human Reactions to Constant Threats and Fears. The descriptions of the dogs suggest that they are not only fearful in themselves but represent deeper, indefinable threats. In the woods with his dad, Adam declares, “There was something threatening about the dog, a sense that the rules didn’t apply” (36). The dog in the woods attacks Dave, and the dog in Chapter 7 runs after Adam on his bike. Adam’s life is fundamentally precarious, and the dogs remind Adam that he’s unsafe but also hint at the deeper psychological meaning of his journey as a therapeutic narrative. In Chapter 7, Adam says, “I have a feeling that the dog will pursue me forever” (33). There’s no clear way for him to escape the threat the dogs symbolize because, as the reader will come to understand, Adam is locked in a facility and his fears have been realized.

Despite these difficulties, the theme of Journeys as Psychological Persistence and Resilience continues. Though Adam hates dogs, he doesn’t let the dog derail him, declaring, “I hurtle toward the dog” (31). Adam confronts the dog and passes the challenge. He continues through the rain, though it “is really coming down now, in wavering sheets, tossed by the wind. The cold enters my clothes, seeps into my skin and into my bones” (65). The piercing, chilling storm doesn’t result in a retreat. Rather, Adam recommits to the journey and starts to sing “The Farmer in the Dell.” He sings “The Farmer in the Dell” during distressing moments on his journey and has increasing recourse to it. At this point, the song is still a symbol of encouragement. When he feels weary or defeated, he sings the song, and it lifts his spirits.