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Jim KjelgaardA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Jim Kjelgaard authored more than 40 novels in his lifetime. His most famous and successful publication was his 1945 young adult adventure novel, Big Red. The protagonist Danny Pickett’s adventures in the Wintapi wilderness echo Kjelgaard’s upbringing on “a Pennsylvania mountain farm” (256) where he lived with his parents and siblings. From a young age, Kjelgaard developed a keen understanding of, and appreciation for, his childhood Black Forest environment, which is reflected in novels like Big Red. Like Danny, Kjelgaard also had a close relationship with his father, who taught him how to run trap lines, dig ditches, pitch hay, and run the “transit for the county surveyor” (257). Kjelgaard’s descriptions in the source text’s Afterword, “Jim Kjelgaard on Jim Kjelgaard,” place precedence on paternal and familial relationships. These dynamics feature heavily in Big Red and contribute to Danny’s coming-of-age journey.
Kjelgaard’s love for reading and writing developed in childhood and adolescence. Although Kjelgaard didn’t have a traditional academic education, the source text’s Afterword remarks upon Kjelgaard’s youthful appetite for literature. He “read everything he could get his hands on,” a pastime which fostered his lifelong desire “to become a writer” (257). His writing career began with his publications of outdoor fiction. In turn, Holiday House commissioned him to write children’s literature, a challenge that Kjelgaard eagerly accepted. Kjelgaard’s first novels, Forest Patrol and Rebel Siege launched his career as a writer “of historical fiction for young people” (260). Big Red was his third novel, and solidified his reputation in the industry and widened his fan base.
Big Red was originally published in 1945. The novel’s depictions of nature, hunting and trapping, and interspecies relationships are reflective of the time in which it was written. Like many of Kjelgaard’s adventure novels, Big Red is set in “the North American wilderness” and explores “the history of this land” (261). However, this history is filtered through a white, male perspective. Since both Kjelgaard and his protagonist are white men, their regard for and relationship with the wilderness is indicative of their patriarchal and colonial perceptions.
Danny’s life in the Wintapi wilderness is also a representation of rural life in the Eastern United States in the postwar era. Danny’s life is defined by poverty and hardship. Danny and his father, Ross Pickett, have a place to live, but they own their humble trapper’s cabin “by squatter’s rights only” (8). Danny doesn’t attend school and Ross doesn’t have regular employment. He relies upon his son to work odd jobs in order to help support the family. References to money, financial hardship, and manual labor throughout the novel underscore the difficulties of Danny and Ross’s rural lifestyle.
Ultimately, the Pickett family is able to survive in the Wintapi because of their determination and courage. They see the Wintapi as a brutal and isolating environment that constantly challenges and tests them. In order to withstand the Wintapi’s struggles, they must bury their emotions and rely upon their own fortitude and will. Such aspects of Danny’s and Ross’s characters are reflective of the historical time period and the Picketts’ environment.
The novel’s primary settings, conflicts, and themes place precedence on ideals of rugged American individualism. Big Red is a coming-of-age story, which traces Danny’s personal growth according to his experiences in the Wintapi wilderness. Each challenge that Danny faces while adventuring through the woods influences how he sees and understands himself. The novel uses animals, seasonal changes, and weather patterns as symbols of conflict, upheaval, and danger. In these ways, the natural world poses a constant threat to the novel’s human characters. In order to overcome these threats and to prove themselves strong and capable, the characters must face and fight the natural world.
These ideals originate from the predominant ideologies of American postwar culture. Indeed, Danny’s character arc relies upon and reiterates the alleged transformative possibilities of the American Dream. After Danny kills Old Majesty, whom he has deemed an enemy who must die, he feels as if he has “cast off the old shackles, the confining bonds that said he and Ross had to struggle along as best they could” (249). By pulling himself up by his proverbial bootstraps over the course of the novel, Danny has proved himself capable of remaking himself and, thus, his future life. In keeping with the American Dream philosophy, Danny changes his reality through hard work, determination, and intelligence. At the same time, Danny has to conquer the natural world in order to achieve this dream. His perception of nature as an enemy aligns with colonial ideals, and lives in contrast with Indigenous philosophies that prioritize living in harmony with the natural world.